
Racquel Banaszak
She/Her/Ikwe
She/Her/Ikwe
Photography by Sarah Maricha White
I’ve always been drawn to the creative process as a way of understanding the world ever since I can remember. My earliest memory was painting with my cat in my parent’s kitchen. I attended MCAD and studying abroad at OCADU’s Indigenous Visual Culture program in Toronto and realized that I was part of a long legacy as well as a real active present rooted in Ojibwe thought, history, language, and culture. Visual art allows me to navigate between the past, present, and future simultaneously.
Mixed media, graphic design, illustration, mural.
I find inspiration in my children’s artwork (always colorful and full of big, bold movement) as well as in the idea of Indigenous futurisms- where I can explore Indigenous world-building rooted in kinship both human-to-human as well as with our more-than-human relatives.
I have lived, worked, and raised my family here for 10 years.
I attend every year and am constantly blown away by the breadth of work that is made here. It is like a whirlwind of creativity that fuels my spring-summer season when I am usually the most productive.
A few years ago I saw a Nirvana cover band at the 331 and loved dancing alongside others.
I really appreciate the opportunities it has given me as well as being part of a large, creative community in my home. I love being part of the creative energy that is Northeast Minneapolis.
There are so many little gems you can find when just taking a stroll, from tiny mouse doors and statement stickers to the incredible amount of big, beautiful creative studio spaces.
Art-A-Whirl has definitely grown in size, but it also seems like it’s been warmer these past few years – which means more time to walk around and soak it all in.
It connects us to one another through the messages of joy and hope as well as grief and longing for something more. Art lets us feel life together.
No, it is such a visually intricate place. Without art it would be more like the suburbs where you can get lost in all the sameness.
I hope to see more opportunities for public art that can evolve with the times that reflect the histories, cultures, and languages that make up this place. Also more connections to this place as Dakota homelands.
This project is made possible through a generous gift from the Minneapolis Foundation.